1. compendium-of-beasts: Pierrepont Edward Lacey and His Dog, Gun, 1835-1836, attributed to Milton W. Hopkins via MAG

    compendium-of-beasts:

    Pierrepont Edward Lacey and His Dog, Gun, 1835-1836, attributed to Milton W. Hopkins

    via MAG

  2. thiscitycalledearth: theconstantbuzz: Juliette Gréco, by Robert Doisneau, Paris.

    thiscitycalledearth:

    theconstantbuzz:

    Juliette Gréco, by Robert Doisneau, Paris.

  3. deadsunflower: Vittore Carpaccio, Vision of St Augustine (1502). Tempera on canvas, 141 x 210 cm. Scuola di San Giorgio degli Schiavoni, Venice.

    deadsunflower:

    Vittore Carpaccio, Vision of St Augustine (1502). Tempera on canvas, 141 x 210 cm. Scuola di San Giorgio degli Schiavoni, Venice.

  4. arthistoryeveryday: The Love Letter by Fragonard (1770)

    arthistoryeveryday:

    The Love Letter by Fragonard (1770)

  5. stilllifequickheart: William Arthur Breakspeare The Painter’s Dog Late 19th century

    stilllifequickheart:

    William Arthur Breakspeare

    The Painter’s Dog

    Late 19th century

  6. sugarmeows: The Townley Greyhounds (Roman, 1st-2nd century)

    sugarmeows:

    The Townley Greyhounds (Roman, 1st-2nd century)

  7. loquaciousconnoisseur: missfolly: Berthe Morisot Julie Manet and Her Greyhound, Laertes (1893)

    loquaciousconnoisseur:

    missfolly:

    Berthe Morisot

    Julie Manet and Her Greyhound, Laertes (1893)

  8. uncertaintimes: George Stubbs, White Poodle in a Punt, ca. 1780 Maulleigh Rates just behind Watson and the Shark as the work in the National Gallery that amuses me most. Because poodle. In a punt!

    uncertaintimes:

    George Stubbs, White Poodle in a Punt, ca. 1780

    Maulleigh

    Rates just behind Watson and the Shark as the work in the National Gallery that amuses me most. Because poodle. In a punt!

  9. George Barbier, Phaedra and Hippolytus. chryselephantine: The Pictorial Arts: Mythological Themes

    George Barbier, Phaedra and Hippolytus.

    chryselephantine: