Autun, Bibliothèque municipale, ms. 0269, f. 170v. Book of Hours, use of Autun (Heures de Philibert Pillot). Autun, c.1480-1490. St Catherine of Siena.
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[Self-portraits by Carrie Mae Weems, Käthe Kollwitz, Judy Baca, and Frida Kahlo, text “Never apologize for selfies”]
Wanted to get modern women artists and some WOC up in this one. If you reblog it would be cool if you kept the part in the brackets so these artists, two of whom are still working, will get credit—this conversational part below is nbd.
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[Self-portraits of Caterina van Hemessen, Sofonisba Anguissola, Mary Beale, and Élisabeth Vigée-Lebrun, text “Never apologize for selfies”]
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Retrato de Carlos III, niño (1724). Jean Ranc (French, 1674–1735). Oil on canvas. Prado Museum.
Charles III (1716–1788) was the King of Spain and the Spanish Indes from 1759 to 1788. Eldest son of Philip V of Spain and his second wife, Princess Elisabeth of Parma, he became the Duke of Parma and Piacenza under the name of Charles I; later on in 1734 while Duke of Parma he conquered the Kingdoms of Naples and Sicily and was thus created the King of Naples and Sicily.
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Alessandro Varotari Padovanino, Orpheus and the animals. 1600s. Museo del Prado, Madrid.
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“Il più bello della gente di Ceo” Ciparisso . 2012/2013
oil on linen
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exhibited in contemporary art fair. Art first. BolognaGalleria Bonelli Lab . Milano
(Source: agostinoarrivabene.it)
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Gerard Mas is a young sculptor born in Sant Feliu de Guixols, Girona, Spain. He studied at Llotja Art School in Barcelona. Gerard’s sculptures are truly attractive and interesting.
He evokes 15th century Florentine portraits. Mas is influenced by the early modern period and the Renaissance but he never forgets to add some elements from present days. His favorite materials are marble, alabaster, wood, resin and bronze.
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Sloan, Providence, Rhode Island, 1975-1978. Vintage gelatin silver print, 4 15/16 X 4 15/16”, ( 12.5 X 12.5 cm).
Boulder, Colorado, 1976. Vintage gelatin silver print, 8 X 10”, ( 20.3 X 25.4 CM).
